Posted on 25/05/2016

Jesper Ranum 0 comments

Forced limitations

How far can you go with one sound, if you use all available treatments to it? I’d dare to say about all the way to a finished piece of music. A single basic sound source can be treated to perform almost any musical role. This was actually also the basic philosophy behind the first analog […]

Posted on 24/05/2016

Jesper Ranum 0 comments

Extreme Timestretching

Timestretching audio became a household term with the advent of Akai’s S-1000 sampler in 1988. A special feature in the sampler allows you stretch out the duration of the sample by adding extra samples that are interpolated values in between the original samples. This gives quite a dramatic and robotic effect, that was widely used […]

Posted on 02/02/1985

Jesper Ranum 0 comments

Linn LM-2 “LinnDrum” Drum Machine

Thud-tick-whack-tick… The LM-2 drum machine from Roger Linn is an absolute classic, and the model you probably refer to when mentioning “LinnDrum”. Incidentally this is also printed in large letters on the front. When first launched it was considered to be one of the most realistic sounding drum machines. Countless classic hit records have been made with – or […]