09569-001 @ 1989
90015-099 @ 1989
09180-099 @ 1989
90003-001 @ 1989
09181-001 @ 1989
00256-001 @ 1989
90042-099 @ 1989
09774-001 @ 1989
09488-001 @ 1989
09570-001 @ 1989
90059-099 @ 1989
90002-001 @ 1989
90060-099 @ 1989
09050-001 @ 1989
09051-001 @ 1989
90040-099 @ 1989
09170-001 @ 1989
09208-001 @ 1989
18 Track(s)
Destiny would that I was handed a rather goofy comedy as my very first proper movie composer job (1988). I responded well off-the-grid by composing music for an action thriller.
The movie was a big hit, but the music and images were never really married properly, and ended up a slightly weird hybrid of comedy music with action elements and 80s drum sounds. Here you can hear some of the – for the time quite daring and different – music I made for the movie.
Not knowing anything about the genre – or scoring for movies in general I attacked it by requiring VHS copies of the movie, and then stripped SMPTE code on the audio track. The SMPTE code could drive the sync via the Roland SBX-80 Sync Box – and later the Steinberg SMP-24 mk.2 – that enabled me to sync the Synth and MIDI machinery to the images.
But in the end the music had to be delivered in mono, to fit the PERF tape machines used to lock the film together with the audio. Synchronization was achieved by physically offsetting the audio 1 or more sprocket holes (punched in the tape).
Created in Ranum Studio 7
Composed, Produced and Performed by Jesper Ranum
© KODA/NCB 2018