Posted on 10/09/2016
The Erbe-Verb from MakeNoise – with a reverb engine by Tom Erbe of Soundhack fame – is a high quality digital reverb processor, capable of stereo processing. Most parameters are voltage controlled, without audible control artifacts, like clicks or zipper noise. [gdlr_divider type=”solid” size=”100%” ] Fluxic Subscores: “Hauntsville Chambers” A recent ambient soundscape piece […]
Posted on 11/07/2016
Acquired Date: May 2016 A new plugin for treating (mainly) vocals. Running alongside other vocoders in the studio: Logic EVOC-20.
Posted on 11/08/2012
Like all the MoogerFooger pedal-style units, the MuRF is built like a tank, and still has that definite Moog look and touch. Controls are reassuringly firm and tight, and the whole thing oozes quality. The sound The MuRF is capable of rhythmic filtering and overdrive of the input material. A range of rhythmic patterns are […]
Posted on 01/01/1998
The PCM-80 is one of the later quality Lexicon hardware digital reverbs and the successor of the venerable PCM-70. A very good sounding device, with quality convertors and digital I/O that allows you to match it with DAWs and digital mixers. It contains the acclaimed Lexicon reverb algorithms, but also sports a wide range of other […]
Posted on 01/08/1995
Hardware dominance. In the start 1990s the world of sampling was dominated by hardware samplers from Akai, E-mu, Roland, Sequential and Ensoniq and a few more. Each hardware sampler had a set of basic digital processing tools available for the loaded samples. Going virtual But with the appearance of the Sound Designer II audio editor from Digidesign, […]
Posted on 13/08/1984
[gdlr_divider type=”solid” size=”100%” ] A Danish classic A real studio classic, and a classy piece of engineering. The “TC-2290 Programmable Digital Delay and Effects Control Processor”- or just TC-2290 – by Danish company TC Group (formerly TC Electronics) has found a place in most high end studios across the world. Writing the manual Being deeply […]