Posted on 19/05/2010

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Manley Slam – Preamp/Limiter

Manley gear is built like a tank, but feel like a Rolls-Royce to operate. The Manley Slam preamp circuitry is an absolute winner, with silky top and tight bottom end. And the Compressor/Limiter section gives you that undefinable glue, that melts your stereo mixes together. The Slam is being used as a preamp for recording demanding […]

Posted on 20/05/2009

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Filled with AIR

One day around noon the phone rang. A voice from the national Danish Broadcasting service – Danmarks Radio – asked if I had some available time in the studio that same afternoon. Not for music recording, but to have some special guests interviewed, who would like to do the interview in front of a modular synthesizer. At […]

Posted on 28/04/2006

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The Spielberg Incident

I have had a few incidents that made me wonder “Where it did that come from”? One such incident was the production of an international Nokia commercial (“Connecting People” – remember?), that was linked to the launch of a new Steven Spielberg movie – “Minority report” – featuring Tom Cruise. Via a Danish agency – DanesAdWork […]

Posted on 23/03/2004

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Fluxic: “Eat Weed”

The original version of this track was made in 2003 and can be heard below. An uplifting track with a light rhythmic backbone and a catchy thematic hook. In March 2016, the track was prepared for live performance and may be performed in the Fluxic Studio Concerts. The video version is the live version from […]

Posted on 24/03/2003

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Fluxic: “Return to Base”

  [gdlr_divider type=”solid” size=”100%” ] A dynamic and action packed track with eerie choir and fast paced beats. [gdlr_divider type=”solid” size=”100%” ] [gdlr_styled_box content_color=”#ffffff” background_color=”#703232″]“That distant tone again. Indicating that nothing will be the same tomorrow. Some will be taken out, but others will slip through, and follow orders. Relentlessly approaching, like the angels of death marching […]

Posted on 10/05/1999

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Fluxic: “Second”. A generative predecessor

  “Second” is a predecessor to the current Fluxic line of experimental algorithmic tracks. Sequenced & recorded in 1997, the track is a quasi-live (sequenced) recording with no overdubs, directly to CD. An arbitrary selection of sounds, featuring arrangement randomizing & event probability. The track maintains a calm, steady atmosphere, with no – or very little – repetition […]