Posted on 01/05/1985
Taking the very synth heavy DéFilm production on the road was no easy task in 1985. The keyboard rack required massive synth power and total recall while still being roadie-friendly and stable enough to handle the rigours of the road. For this purpose some truly special and spectacular flightcases were built by Dansk Studio Teknik […]
Posted on 01/10/1984
Same, same – but different Synclavier is an FM synth with add-on sampling. Fairlight is a sampler with additive synthesis capabilties. This is the major conceptual difference between the machines, that also have major operational differences. I was a long time resident studio programmer in PUK studios using both machines in the 80s. Had them […]
Posted on 01/09/1984
During recording of the first album by DéFilm I was appointed by Michael Ritto to produce an album for Michael Falch. Michael was already succesful with his previous band “Malurt” – an energetic and youthful rock act with a rebel attitude, which was also released by Medley Records.. From rocker to popstar Being in the […]
Posted on 13/08/1984
[gdlr_divider type=”solid” size=”100%” ] A Danish classic A real studio classic, and a classy piece of engineering. The “TC-2290 Programmable Digital Delay and Effects Control Processor”- or just TC-2290 – by Danish company TC Group (formerly TC Electronics) has found a place in most high end studios across the world. Writing the manual Being deeply […]
Posted on 01/07/1984
Posted on 01/07/1984
Informing the public about new working methods and mind sets with electronic music production. This was broadcasted on Danish national TV (DR/Danmarks Radio), which was then a monopoly. So everybody seemingly watched the program, judging from the many responses in the following months. Interview was made in Puk Studio, Denmark where I worked for extended periods, as […]
Posted on 01/11/1983
Posted on 22/07/1983
Out of the labs In continuation of talks with Danmarks Radio, The Royal Danish Music Conservatory and the state committee for experimental music, I was asked to write a report on the current Danish electronic music scene as I saw it. The report was not very merciful towards the scene at the time, and proposes […]
Posted on 01/03/1983
[gdlr_divider type=”solid” size=”100%” ] DéFilm working in Puk Studio 1984 [gdlr_divider type=”solid” size=”100%” ]
Posted on 01/01/1983